Heavy Metal May 2009 — Back Issue
Heavy Metal May 2009 May 2009 magazine back issue
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Heavy Metal  Magazine Back Issue
May 2009
UPC: 07099236587605
ISSN: 0885-7822
Vol. 33  Issue 3
Year: 2009
Format: Digital PDF
Rating: 5/5 (1 review)
  • Covergirl Photographed by Michael Calandra
  • Dossier By S.C. Ringgenburg
  • Caveman By Tayyar Ozkan
  • Artist Studio On Tyler Walpole
  • Mills & Ledroit Return With Requiem #7!
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TABLE OF CONTENTS
8 Gallery on URAL AKYUZ
13 TAROT CARD by Boris Vallejo, Julie Bell and David Palumbo
18 DOSSIER by S.C. Ringgenberg
21 FALSE GODS
Story: Santiago Casares, Art: Miguel Mora
25 REQUIEM #7 ©Mills / Ledroit / Nickel
56 KILLER BALL
Art: Stefano Cardoselli, Story: Marco Della Verde, Lettering: Azurek Studios, Translation: Mr. Kobra
66 PRIZED SIGHT by Tyler Richlen and Craig Richlen
74 RUN AWAY by Marco Belli, Gabriele Parma and Oscar Celestini
78 FIRE SINGER
Story: Bernd Frenz, Art: Oliver Ferreira, Coloring and Lettering: Holger Bommer, Translation: Claudia Kern
87 LIVING CITY
Story and Art: George Todorovski
94 CAVEMAN by Tayyar Ozkan
118 Artist Studio on TYLER WALPOLE

Publisher's Note
Hello Everyone,
I'm going to be forty seven years old at the end of this month—how cool is that?! Seriously, there were many times in my life I was sure I'd never see my 25th birthday—or reach the ripe old age of thirty. I guess I'm just happy to have gone past my own personal expectations (as well as a few friends and family members opinions on the matter) and still be able to get out of bed excited about the next mountain that I'll need to climb. My son, Shane will be three in a few months and Pam's son, Peter will be nine by the year's end. Both these little gentlemen in my life convinced me to finally quit smoking for Christmas last year—toughest thing I've ever done, but easier when these guys tell you they'd really like to have you around for the next thirty years! Thanks for the support dudes, and I promise to lose the extra weight soon!
Been an interesting Spring for the planet so far, the bad spots still far outweighing the bright spots so far—but that was to be expected I guess...and among all the local cutbacks and layoffs there does seem to be "real" possibilities that there is "hope". With money this tight, I want to personally thank you for shelling out the hard earned cash for a copy of our magazine—it means a lot to us, and we'll keep working our hardest to make sure it is worth it.
The heavyweights for this month's issue, besides the KILLER cover by Michael Calandra, is the seventh chapter in the extremely popular "Requiem" series by Pat Mills and Olivier Ledroit! We get a fair amount of e-mails and message board discussions on every issue, but notes and posts on "Requiem" far exceed all others—and YES, we will finally be issuing a series of collected versions, in groups of three chapters per book and the first one will be on the stands by the time you read this. More cool beans.
I love it when we can fit in this many short stories and by some of my favorite artists and writers no less! "Killer Ball" by Stefano Cardoselli, & Marco Della Verde will satisfy those needing a Cardoselli fix, and "False Gods" by Santiago Casares & Miguel Mora will give you an interesting take. Cool beans. Totally dug the "Prized Fight" by Tyler Richlen and Craig Richlen from the first time I saw it and glad to finally fit it into an issue. "Run Away" by Marco Belli, Gabriele Parma and Oscar Celestini- what can I say here but nice work guys, and "Fire Singer" by Bernd Frenz & Oliver Ferreira is sure to warm you up. Last, but far from least is "Living City" by George Todorovski—simply love this piece and after way too long, "Caveman" by my old friend Tayyar Ozkan returns—and we promise to slide these one pagers in more often.
On the editorial and artist side of this issue is the "Dossier" which is always rock'n when the talented S.C. Ringgenberg is in the house, the main "Gallery" on Ural Akyuz is wonderful—thanks Ural, and "Tarot Cards" continues by Boris Vallejo, Julie Bell and David Palumbo—regarding which, we all can't wait for the collection of this amazing gallery section! The astounding Tyler Walpole shows us what he's been up to in the "Artist Studio", while Caries de Miguel struts his stuff on the featured artist page respectively.
I want to take an extra minute to sincerely thank ALL the artists who make this and every issue of Heavy Metal a special event for me, and remind all the fans if you're digging these guys as much as I am—be sure to follow their links off the gallery pages and let them know, as well as check out all the expanded galleries we're doing on www.heavymetal.com, which are updated weekly.
That's going to wrap it up for me this month, look forward to talking with you in sixty.
Features
  • Covergirl Photographed by Michael Calandra
  • Dossier By S.C. Ringgenburg
  • Caveman By Tayyar Ozkan
  • Artist Studio On Tyler Walpole
  • Mills & Ledroit Return With Requiem #7!
Magazine History
Heavy Metal is an American science fiction and fantasy comics magazine, known primarily for its blend of dark fantasy/science fiction and erotica. In the mid-1970s, while publisher Leonard Mogel was in Paris to jump-start the French edition of National Lampoon, he discovered the French science-fantasy magazine Métal Hurlant which had debuted December 1974. The French title translates literally as "Howling Metal."

When Mogel licensed the American version, he chose to rename it, and Heavy Metal began in the U.S. with the April 1977 issue as a glossy, full-color monthly. Initially, it displayed translations of graphic stories originally published in Métal Hurlant, including work by Enki Bilal, Jean Giraud (also known as Moebius), Philippe Druillet, Milo Manara and Philippe Caza. The magazine later ran Stefano Tamburini and Tanino Liberatore's ultra-violent RanXerox. Since the color pages had already been shot in France, the budget to reproduce them in the U.S. version was greatly reduced.

Films
In 1981, an animated feature film was adapted from several of the magazine's serials. Made on a budget of USD$9,300,000, under production for three years, Heavy Metal featured animated segments from several different animation houses with each doing a single story segment. Another house animated the frame story which tied all the disparate stories together. Like the magazine, the movie featured a great deal of nudity and graphic violence, though not to the degree seen in the magazine. For example, in its Den segment, it did not display the blatant male genitalia of its print counterpart. The film featured such SCTV talents as John Candy, Eugene Levy, Harold Ramis and Ivan Reitman. It did reasonably well in its theatrical release and later gained something of a cult status, partially because a problem with music rights resulted in a delay of many years before the film became available on video.

Another animated feature film alternatively called Heavy Metal 2000 and Heavy Metal: F.A.K.K.², with a budget of $15,000,000, was released in 2000. This direct-to-video release was not based on stories from the magazine, but instead was based on The Melting Pot, a graphic novel written by Kevin Eastman and drawn by artist Simon Bisley, who based the appearance of the female protagonist after nude model and B-movie actress Julie Strain, the wife of Kevin Eastman. Strain later lent her vocal talents to the movie, portraying the character modelled after her likeness. It spawned a video game in 2000, Heavy Metal: F.A.K.K.². An independent video game was also spawned in 2001, Heavy Metal: Geomatrix.

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Rejean Neron June 22, 2012 ★★★★★
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This magazine kept me up all night. How cool is that?